X-Men: Apocalypse

2016 "Only the strong will survive"
6.9| 2h24m| PG-13| en| More Info
Released: 18 May 2016 Released
Producted By: 20th Century Fox
Budget: 0
Revenue: 0
Official Website: http://www.foxmovies.com/movies/x-men-apocalypse

After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

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Lovesusti The Worst Film Ever
Exoticalot People are voting emotionally.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
filmtogo It's not as complex and well constructed than X-Men: Days of Future Past but - BUT - it is still a very entertaining movie mostly because of the great cast. Not only the "new" additions of X-Men: Jean Grey, Cyclops, Nightcrawler and a little bit of Jubilee and more Quicksilver but also the "baddies" Archangel, Storm and Psylocke. Another BUT sadly brings us Apocalypse who just looks totally out of place here. He's a cartoon enemy in a film that tries to be serious. Magneto would've been enough of a man gone wild again but instead we get a god like character who makes us laugh every time he appears. There are some really nice moments of friendship and solidarity and a good way of the script to deal with Jennifer Lawrences unwillingness to get into blue Mystique shape again. It could've been better very easily but it's still enjoyable and far from being a disastrous (apocalyptic) movie.
Neil Welch The latest X-Men movie (excluding Logan) sees the new recruits (and some old friends) playing for high stakes. In the darkest X-men film yet we meet new villain Apocalypse, who is actually the oldest villain of all.In pre-Biblical Egypt, despotic mutant En Sabah Nur (who derives life and powers by parasitically transferring himself into new bodies from time to time) is betrayed during a transfer and buried alive, though dormant, for nearly 6,000 years. Reawoken in 1983, he needs to find powerful mutants to act as his henchmen: this coincides with Charles Xavier starting to use Cerebro to find pupils for his school, Mystique looking to rescue persecuted mutants, and Magneto enjoying family life.I was a little worried before going to see this, because I had heard suggestions that it wasn't that good. I've enjoyed all the previous X-Men films (yes, even the Wolverine origin one), and I've read a fair number of X-Men comics, so I was predisposed towards enjoyment but, still, you worry, don't you?I loved it. It's full of action, the plot is easy enough to follow but dense enough to satisfy, there are sufficient returning cast members to give a sense of continuity, and the new characters (and recast younger versions of characters from the first 3 films) all do well.All is not 100% wonderful, though - it is much darker than previous X-men films, for instance. There are deaths which are emotionally effective (by which I mean upsetting), and there is some imagery which, even in a 12A certificate film, could be regarded as a little disturbing. This is not an exciting family adventure movie (although it is exciting, Xavier's children are a family, and the whole thing is an adventure): it's a bit strong for the young and sensitive. And although the film runs two and a half hours, one wonders if there might be material left on the cutting room floor because, for instance, poor Olivia Munn as Psylocke gets fairly short shrift in what amounts to an underwritten cameo, despite looking exactly like her comics counterpart ie. seriously hot.But there is far more good than bad. Quicksilver's set piece steals the film again, much as it did in X-Men: Days Of Future Past. And there are two points - one of them hinted at in the trailer - which are cause for serious fangasms. Seriously. The unexpected one choked me up: I couldn't believe what I was seeing on screen.Which begs a question as to whether it is possible to enjoy the film if you haven't seen the previous X-Men movies or read any of the comics? Well, I spoke to someone who had just seen it, but hadn't seen any of the previous films, and he said that he thoroughly enjoyed it. So that's two points of view for the price of one.My verdict: as an established X-Men fan, both comics and movies, I would give this a full 10 out of 10.
mikehanna God... I think the X-Men are great. I collect the comics, I've got all the Blu-Rays and DVDs (especially the cartoon!) but this is not a good movie.The main thing that burned into my mind was how they fridged Magneto's family. I think the wife and daughter each had maybe three lines if dialogue then they were killed just to further the story of the male protagonist. Once that happened I couldn't get back into it.
leoocampo Being a fan of X-Men and the Marvel Universe growing up will only hurt your opinions of this film as the characters are but pale translations of their counterparts in the comics and Fox cartoon. Case-in-point: the eponymous villain himself. Apocalypse is one of the most powerful villains in the X-Men stories with a vast array of powers. Yet, here, none of those powers are portrayed. The character himself is bland, lacking presence, and not nearly as bombastic as the Apocalypse I remember and loved as a kid. That version, the authentic one, spoke in big, deep, booming voice with menacing tones and a hint of something technological. His monologues and dialogue in the cartoon were among the most memorable part of that experience, speaking in biblical language and with a God-like demeanor. None of that drama makes it into this film.Most of the movie is not only predictable, but boring. With a few exceptions, it is both unengaging and formulaic, whereas the Marvel Cinematic Universe titles have since proven to at least avoid being one of those two things. The flashiness of the X-Men series is also unfitting for the darkness of the plotline here.While X-Men Apocalypse is still much better than the previous titles from the early 2000's, it still falls quite short of being able to capture the imagination the way or bring the kind of authentic laughs, drama, or depth that Guardians of the Galaxy, Iron Man, or Deadpool were able to achieve.